Beatmaker Dixon Hill and rapper Noveliss have both been making waves in their own right, in their home city of Detroit and the hip hop scene at large. A touring artists with an MF Doom tattoo and a love of philosophy, Noveliss (Jarred Douglas) splices hard-hitting subjects with peaceful pronouncements and has been releasing well-crafted, Asian philosophy-tinged work since 2018. Dixon Hill is a lover of vintage mods and funky melodies, Dixon Hill’s put out a number of game-changing releases both solo and working with other artists. They came together recently in a collab that rivals any indie hip hip release out there, the recently released album, Book of Changes. While both subject matter and sound on Book of Changes would lead some listeners to tag this album “conscious rap,” the work is also fun, danceable and works as a piece of music that’s not just about its content. That said, the content also happens to be quite expansive. You couldn’t really come away from this album without clocking some serious insight, and you wouldn’t want to. Without drawing too many parallels with Wu Tang (and specifically Rza, his various meditations, his book The Tao of Wu and the Ghost Dog soundtrack), it seems both Noveliss and Dixon Hill wanted to work together on their interpretation of the famous I Ching of Chinese tradition, also known as the Book of Changes. With funky, semi-lofi beats from Hill and articulate, thought-provoking flows from Douglas, it seems the pair are modernizing the ancient text and contextualizing it for the modern era, and it’s none too soon with current events as they are. Normally when introducing artists to our readership, YEDM likes to do a new artist spotlight or some other short form, but it was clear with these two artists and the quality of the record that they have a lot to say, and we wanted to hear it. We sat down with Noveliss and Dixon Hill to talk about Book of Changes, “conscious rap” and why, with this album, it just clicked. How did the two of you come to work together on the Book of Changes album? Noveliss: Dixon reached out to me and I checked out his work and was instantly excited to see what we could come up with. DH: I had a connection to Detroit through my work with Guilty Simpson and I started reaching out to other emcees from ‘the D’ that I respected. I sent a batch of beats to Nov via email, having been a fan of his since the early days of Clear Soul Forces. I would periodically hear his voice in my head while making beats. He was quick to get to work, and the rest is history. Noveliss, East Asian culture and philosophy seem to feature heavily in your work and you both have an interest in I Ching and other philosophical guides. Aside from the obvious Wu Tang influence, what is the draw for you of these texts and ideas? Noveliss: As a longtime student and practitioner of Martial Arts, I’ve always been interested in Asian philosophy and the spiritual nature of martial arts, sometimes even more than the physical side of it. I’m always interested in reading something or practicing something that can lead me to a better version of myself. DH: Wu-Tang is for the children. Dixon’s style contains quite a bit of funk and melody, which is a little more smoothed out than previous Noveliss offerings and it seems to give Book of Changes a more peaceful outlook. Was it a conscious decision to smooth out the edges with more funk and lofi vibes? DH: When I make beats, a lot of different styles and influences tend to come out of me. In one day I may make something quiet and introspective and the next beat is aggressive and rash. When I was picking beats to send to Nov for the project, I was more concerned with how his flow would match with the beat and whether or not the beat gave him enough space to be creative. I find that when you keep this in mind the beats tend to naturally fall into place and later you discover the thread that unifies them after the lyrics are added. It was a conscious decision to sit down and make beats, but after that I’m reacting to sounds and working on instinct; it is only after the fact that I can put a label on it and tie the beat’s identity to any sort of vibe. Noveliss: The sound of this project was all Dixon Hill, as well as the idea to tie it all into the I-Ching or the Chinese Book of Changes. We both share a mutual interest in these philosophies and it was dope to stumble upon that during the process of making this. How did the songwriting process go in terms of working together? Noveliss: Noveliss on the pen, Dixon Hill on the sound. We were subconsciously on the same page before we even discussed the central theme of the project. The beats he was sending and the stuff I was writing just matched up perfectly. Some of the songs required me to open up some of my books and refresh my memory. My favorite example is, in the song “Feng Shui,” the entire song is based on the five forces concept of feng shui.
DH: The process was smooth from a production standpoint. I trusted Nov to take care of his verses, because he takes his craft seriously. The only time I asked him to re-do a verse was when he told me he knew he could better. I could tell he was pushing himself and that makes me feel good because I know he was taking the project as seriously as I was. On the flipside, Nov respected my production decisions and allowed me to get creative with the concept. Every song is a puzzle and there are always challenges when trying to make a project feel complete but this project represents us at our absolute best because we had the freedom to experiment. Nov left some spaces on “Feng Shui” so I ended up singing a hook. That was never the plan, but that’s what happened. The process just felt natural. Noveliss, you seem to have a knack for being able to speak about heavy subjects but balancing it with philosophy or spiritual ideas. How important is it for you to get your ideas out in this way? Is this a balance you feel you like to strike in your own life/experience? Noveliss: Absolutely, everything is connected. I always try to provide a perspective of learning from each experience and applying everything to achieving the best version of yourself. Balancing these heavy subjects through the lens of spiritual nature or philosophy is just connecting the dots, trying to make sense of things we really don’t understand. Speaking of heavy subjects versus spiritual balance, as both of you seem to be on the indie edge of hip hop, how do you feel about the whole “conscious rap” genre or style? Do you think it needs to be labeled as such? Do you have any criticism of the current mainstream hip hop culture/subject matter/sound? Noveliss: In my opinion, there is no such thing as “conscious rap.” To be conscious? Like what does that label even mean? To me, it implies that being aware of the world around you, and sharing your view is rare in hip hop and that’s just not true. Sure, we might not like what other people talk about or how they get their message out but it’s all “conscious,” whatever it is. DH: Labeling music is a marketing decision. When we label a piece of music we essentially negate the nuance and details of it. It is convenient to corral music styles into genres, but it doesn’t get to the bone of what we actually experience when we hear any particular piece of music. Its very easy for rap music to become too self-referential or stagnant by way of its own traditionalism, and the more artists that ascribe to genres of hip hop the more we as listeners tend to get bombarded with the same repackaged content. Hip Hop has always been a style of music that represented creative freedom for me and I find that most of the time, hip hop that is labelled “conscious rap” captures that freedom more often for me. I think if you step outside of the commonly accepted subject matter of hip-hop you tend to hit peoples ear’s with something fresh, and sometimes that just gets boiled down to “conscious rap”. Rap that encourages people to look at their world differently is exciting and should be celebrated for its courage and its detail, not labeled for convenience sake. Oh yeah….and mainstream music is mostly garbage. Dixon, how was this project different for you and how did you adapt your style? Was it easier or more difficult to incorporate your beloved vintage equipment on this album? DH: This project was different in a few key ways. Noveliss was great to work with, like I said before, he takes his craft seriously and I feel he reacts to the mood of my beats accurately.
As far as arranging the album, the process fit easily into my trajectory as an artist. My last instrumental album (Holodeck Beats: Program 3) I made a conscious effort to tie the beats together with a narrative, and have the album feel like a complete whole with nice bookends and transitions. Book of Changes was a full realization of that same goal and part of that was the wealth of raw materials I had and the environment in which I was working. I still rocked with my tape machines and old gear for sure, but I was isolated in a cabin in the desert, with no internet, completely locked in on the album and the I Ching concept. What’s up next for each of you? Any plans to work together again? DH: I always have music in the works. Some collabs are on the horizon although I cannot say too much yet. I would love to work with Nov again, I think we can continue to make great music together. He was a great collaborator and I am proud of what we made. Noveliss: Hopefully getting back to touring, always working on more stuff. Definitely would love to work together again, I think there’s something here that doesn’t exist elsewhere. Book of Changes is out now and can be streamed or purchased on multiple platforms here. Check out other work from Noveliss and Dixon Hill by clicking on their respective names. This article was first published on Your EDM. Source: Your EDM Q&A: Noveliss and Dixon Hill Team up to Bring Music to the I Ching [Video] Via https://www.youredm.com/2021/12/21/your-edm-qa-noveliss-and-dixon-hill-team-up-to-bring-music-to-the-i-ching-video/
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Tomorrowland has been given the green light to host three weekends in 2022. More specifically, the province of Antwerp has officially granted the environmental permit for Tomorrowland’s one-off third weekend, according to a report. Prior to the pandemic, Tomorrowland had annually taken place over two weekends in Boom, Belgium to much success. In recent years, festival organizers also introduced the Tomorrowland Winter concept, a single-weekend destination event in Alpe d’Huez. To make up for six canceled Tomorrowland weekends over the past two years — four in Belgium, and two in France — adding a third weekend in 2022 will undoubtedly help soften the financial blow. And with Tomorrowland being one of the most beloved music festivals in the world, demand for its long-awaited return will be running high. Jan Dierckx, chairman of the Bosstraat-Hoek-De Schomme, confirmed the district council will honor the permit: “It goes without saying that we as a local government will honor the environmental permit issued and will furthermore ensure compliance with all promised flanking measures, so that this one-off special edition can take place with the greatest respect for our residents.” Tomorrowland spokeswoman Debby Wilmsen said: “We can now start our preparations.” “At the moment there are no names known, but we are working on that now. The festival stages will remain the same during the three weekends, but the line-up will change slightly per weekend depending on the availability of the artists. But whether you come on the first, second or third weekend, you will be able to enjoy a mix of established values and new talent.” Tomorrowland will recommence over July 15-17, 2022 followed by previously locked in weekends of July 22-24 and July 29-31. Stay updated with official Tomorrowland news and announcements here.
Source: HLN This article was first published on Your EDM. Source: REPORT: Tomorrowland Granted Permission to Expand to Three Weekends in 2022 Via https://www.youredm.com/2021/12/21/tomorrowland-three-weekends-2022/ Electric Love Festival announce line up with Armin Van Buuren Kygo Don Diablo Fisher Solardo & more12/21/2021 The first headliners announced for Electric Love Festival 2022 were already coming in with a bang, but those who thought that the organizers already gave it their all were wrong. With this illustrious selection of absolute top DJs from Armin Van Buuren, Kygo, Don Diablo, Fisher, Solardo & more, it is clear: #ELF22 is going to be absolutely legendary! The DJs at a glance: Line-Up Phase 1/6: Line-Up Phase 2/6: Electric Love is more than just a music festival. Since 2013, Electric Love means a feeling of life, music, and adventure, embedded in the beautiful Salzburg Lake District. It means spending a short vacation for all senses in the Fuschlsee region and dancing into the night on one of the five stages to more than 160 international EDM, Hardstyle, Techno, Tech House, Bass, or Hip Hop artists. Visitors can get the full festival experience at one of the four campsites or sleeping in one of the 1* – 5* hotels around Salzburgring. They can also celebrate life in four different VIP areas and recharging drained batteries with various activities, fancy drinks, and soul food. ELF is also culture and sightseeing between festival days in one of the most beautiful historic old towns in the world, Salzburg. “We want visitors to have the best time of the year at our festival”, organizer Manuel Reifenauer said, looking forward to the festival summer 2022 and the 9th edition of Electric Love Festival at Salzburgring. Electric Love is a feeling of life, music, adventure, and experience from July 7-9, 2022, at Salzburgring, Austria.
Tickets are available in the official ticket shop: tickets.electriclove.at
This article was first published on Your EDM. Source: Electric Love Festival announce line up with Armin Van Buuren, Kygo, Don Diablo, Fisher, Solardo & more Via https://www.youredm.com/2021/12/21/electric-love-festival-announce-line-up-with-armin-van-buuren-kygo-don-diablo-fisher-solardo-more/ It’s extremely few and far between, despite sharing a lot of common methods and sounds, that ambient music that can truly be called meditative and EDM cross paths in a way that make them actually cross over. Quite often new age music is just a little too woo with not enough pop or dance cachet to light up the average EDM fan, and of course EDM is generally a bit too charged and fast for the spa or yurt. There are, however, a handful of artists who have truly cracked that code and successfully blurred the lines between ambient and dance. Massive Attack, Moby and Morcheeba come to mind pretty quickly on the EDM side of things, while acts like Rasa or Mohamed Assani may be tagged as more meditative but which translate to other genres and settings. Chawa (English disambiguation: Hava) Lilith, a singer and songwriter who’s come to the US by way of Berlin and now splits her time between LA and Atlanta, has been releasing since 2017 but really found her stride with her newest EP, Euphonious and she’s about to join that small but prestigious number of true ambient crossovers. A massive departure from her previous offerings, Euphonious is largely beatless but nonetheless holds the weight and pop acumen that will take it out of the spa and, potentially, right to the festival stage. Chawa Lilith says Euphonious comes directly from her own meditations, especially those of the last 18 months being stuck in lockdown in Los Angeles. If this sound is any indication of her meditative experiences, we can all assume she’s reached nirvana because it’s truly celestial. Smartly partnering with up-and-coming Atlanta producer Dawson Hendrix for the mixing and mastering, Euphonious earns its namesake many times over by way of the ambient sound work highlighting and elevating the vocals to a truly operatic level. The result is, well, euphonious. The vocals being solid and the production being clean can only take one so far in the ambient game, so what really sets Euphonious apart from the rest? In a word, the songwriting. The way the tones and vocals have been put together, the work sounds incredibly fresh and modern despite the style being solidly in the meditative wheelhouse. With Chawa on instrumentals and Hendrix on mix, the album is easy to listen to in any setting, not just in meditation. The EDM minded among us could also easily see any of these tracks being set to a beat and remixed or even just used as break music in a festival set. Heartwarming and musically solid at the same time, Euphonious lives up to its name no matter where you plan to listen to it. It’s just good music. While Chawa Lilith has played with a number of genres in her career thus far, Euphonious seems to represent a breakthrough for her, both musically and personally. Her confidence has clearly increased over the four years since her last album Persian Prince, and that clearly translates to her work and even how she presents her vocals. Experimentation is always a good thing for artists but here’s hoping she stays on this ambient path and maybe continues to work with electronic producers. The music world could certainly use this sort of uplifting work right now, and Chawa Lilith is clearly someone who can translate it to reach a huge audience. Euphonious is out now and can be streamed or purchased on multiple platforms by clicking here. This article was first published on Your EDM. Source: New Artist Spotlight: Chawa Lilith Joins the Few Truly Universal Meditative Artists With ‘Euphonious’ EP Via https://www.youredm.com/2021/12/19/new-artist-spotlight-chawa-lilith-joins-the-few-truly-universal-meditative-artists-with-euphonious-ep/ The star power behind an Alesso x Katy Perry collab has yet to be seen until now. Just this week, the two global icons announced their first-ever collaborative single together. Due out at the end of this month, “When I’m Gone,” is a vibrant dance/pop crossover track set for a massive worldwide premiere. “You know, I just think it’s time to give them everything they want,” Katy confesses in the teaser video below — and Alesso agrees, “Let’s do it.” Following the song’s release, Alesso will perform in Miami on New Year’s Eve and headline Omnia Las Vegas on New Year’s Day. Meanwhile, Katy will launch her Vegas residency called PLAY, with shows scheduled on New Year’s Eve and New Year’s Day. See the full rollout with all the bells and whistles below. Check back to hear “When I’m Gone” on December 29th and look out for the official music video drop via ESPN on January 10th. Alesso x Katy Perry – “When I’m Gone” [PREVIEW]Pre-save: alesso.lnk.to/WhenImGonePreSave
This article was first published on Your EDM. Source: Alesso & Katy Perry Tease Massive Dance/Pop Crossover Collab “When I’m Gone” [PREVIEW] Via https://www.youredm.com/2021/12/16/alesso-x-katy-perry-when-im-gone/ With his latest release, Subtronics sets the tone for his much-anticipated debut album, Fractals. “Spacetime,” out now on the producer’s own Cyclops Recordings, builds softly with unexpected, melodic flair and standout vocals from NEVVE. Lush synths are soon overtaken by thrashing wubs, offering the best of both worlds — swelling with emotion before spiraling into heavy dubstep sequences. Subtronics explains, the song “was originally called ‘Las Vegas VIP’ then ‘Okeechobee WIP’ then at one point ‘Sparkles.’ Basically, there are at least 5 different versions of the track, whereas my other song ‘O.P.U.S.’ was done in 3 hours.'” He adds, “‘Spacetime’ took two entire years and I realized through the process there is a huge part of me that loves to write anthemic, emotional music. It might be one of my favorite parts about songwriting at the moment, or at least the most gratifying, and I was able to figure out how to translate my sound over There’s plenty more where this came from, with Subtronics’ debut album due out next month. Listen and pre-save here! Subtronics – Spacetime (ft. NEVVE)Stream/download “Spacetime” – outnow.io/t/subtronicsspacetime This article was first published on Your EDM. Source: Subtronics Drops Melodic Banger “Spacetime” Ahead of Debut Album ‘Fractals’ [LISTEN] Via https://www.youredm.com/2021/12/16/subtronics-spacetime-debut-album-fractals/ Unless you’ve been living under a rock for the past month (which is not altogether impossible anymore in light of current COVID events), you’ll know that Audio released his [unsocial] LP on RAM records on November 26, with a massive album release party the night before at Boxpark Wembley, London. With this being easily one of the best albums of 2021/2022 and Audio’s admitted personal favorite to-date, many fans outside of the UK were gnashing their teeth at not being able to go and witness [unsocial] in a social setting. Luckily one of the teeth-gnashers happens to be the person writing this article, who would not rest until we got the set. [unsocial] may feel like a novelty as a full-length and quite concept heavy album from Audio, but the tattooed tech genius historically has been quite a fan of long play. [unsocial] is his second solo album with RAM and fifth overall. There’s been a bit of an LP gap since 2016’s epic Beastmode, but that doesn’t mean there was a lack of Audio audio in that time: he launched the now infamous and award-winning Snake Pit Records imprint and was busy with Killbox, his ongoing project with Ed Rush, among other things. The silver lining with 2020 and 2021 is busy touring artists like Audio suddenly say a lot of extra time on their hands, so some of D&B’s most epic LPs have been raining down on the scene like a torrent. Conflict plus time equals amazing art, and [unsocial] is no exception. Emotive, cinematic, drone-inspired and larger than life, Audio’s said on many occasions that this was his most personal offering to-date and it shows. From the desolate and heart-rending yet still dance-worthy vibes of opening track “Tundra” to the sleepy snares and vox of “Fool’s Paradise” to the big beats of “Omega” and “Feral” that will make dancefloors go, well, feral, Audio really put it all out there on [unsocial], and while it may not have been a hundred percent about lockdown, he certainly did an amazing job capturing how so many of us were feeling during this period. The guest mix is Audio’s set in its entirety from the album launch event, MCs and crowd noise included. It’s always great to hear how an artist will mix their own work, and the way Audio’s done it at this event not only shows [unsocial] in a new light but it really captures the passion and feeling of the album in real time. If this mi doesn’t get you amped up, you might want to check your pulse because it’s certainly not beating at 174. The [unsocial] album, this mix and indeed the whole event at Boxpark are thus a celebration; not just of making it through COVID, but really the triumph of the human spirit, the strength we all have and the paramount importance of art to get us through. Let’s make sure we take care of our artists, because they’re certainly giving everything in these crazy times. At shows or stuck in [unsocial] lockdown, we owe them at least that much. [unsocial] is out now and can be streamed or purchased on multiple platforms here. Now the reward for all your scrolling, check out “Proton”, dropping with RAM’s 2021 annual on Friday, December 17. This article was first published on Your EDM. Source: Your EDM Guest Mix Exclusive AND Premiere: Audio Releases His Set From the [unsocial] Album Release Party Plus a New Track [RAM] Via https://www.youredm.com/2021/12/16/your-edm-guest-mix-exclusive-and-premiere-audio-releases-his-set-from-the-unsocial-album-release-party-plus-a-new-track-ram/ We’ve been waiting for this moment all year, but LICK’s sophomore album is finally out. BEYOND THE VOID features 10 songs and 10 different styles/genres showcasing his ability to make whatever type of music he wants to. With numerous collaborators like Holly, Slowpalace, Nytrix, and more this has a little something for everyone. Check out the entire collection below and catch LICK on tour with 1788-L in 2022. This article was first published on Your EDM. Source: LICK’s New Album BEYOND THE VOID is a Must Hear Via https://www.youredm.com/2021/12/16/licks-new-album-beyond-the-void-is-a-must-hear/ The Tanuki Project is much less a “new artist” than an undiscovered gem from Canada who’s been producing innovative music and touring with increasingly complex audio-visual shows since 2009. It’s actually criminal they haven’t had more interest yet, as the quality both of production and performance rivals the likes of Bjork, Massive Attack, Phantogram and modern-era Kraftwerk, to name a few. That seems about to change, however, with the release of the first two chapters from their new EP series, Adamant. Adamant Chapter#01 released back in June and its lead track “Dystopia” has garnered the duo nearly 200k streams on Spotify, so it seems someone is indeed noticing them. It seems with this project, The Tanuki project have really honed their style musically, striking a balance of hip hop and drone structure with ambient and experimental sound design and layered, nuanced melodies from programmer Ledyl’s synths and vocalist Nady’s lyrics. There’s something sophisticated about the way this project was produced thus far that will likely make it appeal to a wide range of fans. It’s not to say that previous releases by The Tanuki Project weren’t sophisticated as well. It’s clear from releases like 2019’s “Happening” single, where Nady channels her inner Nina Hagen, and 2015’s UKG-and-soundsystem-inspired EP, the aptly named Soundsystem that the pair approach their composition with a healthy love of experimental music theory and likely a classical-style libretto to hand. “Experimental” is the key term here, however, as it seems with those releases and their many others prior to Adamant, Ledyl and Nady were still very much in their wild west phase sound-wise. It was wild, interesting and passionate to be sure, but it seems with Adamant, they’ve screwed down some of the loose nuts and bolts to make something a bit more grounded. Almost. While Adamant Chapter#01 is melodic, orchestral and conjures feelings of early trip hop (for lack of a better comparison), Chapter#02, released just this past weekend, brings back that wilder, experimental style of previous Tanuki Project releases. Depending more on drone and a sound design template that sounds almost industrial, the title track opens the EP sounding desolate and minimal before the staff is filled with space-inspired ambient work, classical piano and a distant and haunting vocal melody from Nady. Think Krafterk meets Bowie’s “Space Oddity.” “Mountain” is even more drone-driven and industrial bringing a real techno beat into the middle of the track, making it the most danceable of the Adamant project thus far. That is, until it gets to closing track, the fun, ultra-ravey and trap-grounded “Question.” It would seem both installments of Adamant are almost too short, clearly leaving the listener wanting more, but there’s so much to unpack sonically, most fans probably wont complain. These are the types of tracks one can listen to hundreds of times and still hear something new on each listen. They’re dense, emotive and endlessly complex. And we haven’t even talked about the visuals yet. Despite being all electronic, Tanuki Project is meant to be a touring project, with loads of visuals lighting up the stage both in the background and the 3D foreground. They’ve gotten more and more complex over the years, reaching a sort of apotheosis as the duo began traveling with an A/V expert to debut Adamant right before COVID hit. Touring and travel in general have been very limited in Canada, so while they still have their A/V show locked and loaded, they’ve decided to shift focus for the time being to videos. The first video is for the single “Slow” off Adamant Chapter#01 released in mid-November and was directed by international commercial director whose passion is experimental videos, Thomas Castaing. The video puts an emotional visual point on the message of the song: the sense of isolation and loss that can come from so many places but which we all felt and still feel during COVID. It’s also a call to appreciate life and humanness, even when humanity feels completely mad. There is still great love here, both song and video seem to say, and the story hasn’t ended; it’s just slowed down. With the goosebump-inducing “Slow” video pairing, one could say it’s definitely a good thing that The Tanuki Project is opting to add cinematic-style videos to their A/V repertoire. With more videos planned for Adamant Chapter#02 and beyond, it’s clear the duo can translate the feelings from their shows to personal screens and have a similar impact. While no one quite knows the future at the moment, artists like The Tanuki Project are forging ahead to give both music and film fans more hope and beauty so that maybe we can come to appreciate this slowed-down story, or at the very least the art created and contained within it. To quote the duo themselves:
Both chapters of Adamant are out now and can be streamed on Spotify. Check out Tanuki Project’s YouTube channel to see clips from their previous shows. This article was first published on Your EDM. Source: New Artist Spotlight: The Tanuki Project Is ‘Adamant’ About their New Project [Video] Via https://www.youredm.com/2021/12/14/new-artist-spotlight-the-tanuki-project-is-adamant-about-their-new-project-video/ “The Fault,” is the final release from budding artist black a.m. The solo DJ/producer brings together a spacey feel to a house-focused style, making this track breed an extra edge. If the single finds it’s way into your go-to playlists, don’t be surprised. black a.m. isn’t like many other electronic artists out there, he’s willing to incorporate ‘unorthodox’ aspects into the standard live performance structure to bring something different to fans. He often plays live guitar during his set and releases, allowing a distinctive special feeling to shower down to listeners and leaving a lasting impression on those who cross his path. From holding down a residency in Las Vegas, to playing sold out Insomniac events, black a.m. is getting more and more noticed for his fascinating intersection of music culture he’s created. He’s played hundreds of show in his life time, having plenty of experience to bring to live events when duty calls. He’s been signed to Ultra Records, supported by names like Cash Cash, JOYRYDE, and NGHTMRE, and show no sign of letting up as things continue to grow for this artist. “The Fault,” is one part of a greater whole that shouldn’t be missed. This article was first published on Your EDM. Source: Black a.m Drops Sensational Grooving Track, ‘The Fault’ Via https://www.youredm.com/2021/12/14/black-a-m-drops-sensational-grooving-track-the-fault/ |
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April 2023
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